The Last Front takes audiences on a deeply human journey through the ravages of World War One, guided by Iain Glen’s powerful portrayal of Leonard Lambert, a simple farmer-turned-leader.
Directed by Julien Kerknawi, the film stands out for its fresh perspective, delivering a strong anti-war message that focuses on the human cost of conflict rather than the battles themselves.
As Glen pointed out at the premiere, it’s not just a war film, it’s a story about the devastating consequences of soldiers moving through landscapes and the lasting destruction they leave behind.
Today, this perspective feels particularly relevant, as the film reminds us of the often unseen impact of conflict on ordinary lives, resonating well beyond the screen.
One of the most interesting choices in The Last Front which really sends the message home is its intentionally vague setting, a village somewhere in Belgium.
This detail, while subtle, reinforces the universality of the story, emphasising that such devastation isn’t limited to one place or one person but is a reality that could unfold anywhere, affecting anyone.
This thoughtful approach, combined with the film’s haunting visuals and emotional depth, ensures that The Last Front is more than just a historical film; it’s a powerful statement on resilience and the shared experiences of those who endure the consequences of war.
Another notable aspect of The Last Front is its soundtrack.
At the film’s premiere, Kerknawi explained that the composer created it with the idea of a ’90s retro trailer’ in mind.
The avoidance of modern sounds and sole use of samples and instruments that were available before the 2000s, give the film a unique and refreshing backdrop amongst the chaos on screen.
While the music isn’t traditional, it enhances the emotional depth of the film, highlighting the struggles of the characters and the harsh realities they face.
There is also much to be said about the stunning visuals and storytelling that truly pull at the heartstrings.
Glen’s performance is both powerful and poignant, his character’s journey through profound loss and the quest for revenge is beautifully depicted, showcasing the raw emotions of grief that resonate deeply throughout the film.
The cinematography captures both the beauty and brutality of war, enhancing the narrative and amplifying the emotional weight of each scene.
This exploration of grief, paired with the character’s struggle for vengeance, adds a rich layer to the story, making it all the more impactful.
While this film has very few faults in terms of cinematography, it is hard-hitting and volatile in nature which may not be for everyone.
However, if you enjoy war films or human-interest stories, this film could easily become a favourite because of the complex themes it covers in just 1 hour and 38 minutes, a refreshing runtime in today’s cinema era.
As the world navigates turbulent times, The Last Front serves as a poignant reminder of the human cost of conflict, making its November 1st release all the more significant.
